On Iranian Girlfriend by SB Tennent.
An essay by Georgia “George” Evans and SB Tennent.
Review: Iranian Girlfriend at Mitu580
EXEUNT NYC
Review: Iranian Girlfriend at MItu580
By Loren Noveck
“Its segments are individually crisp and provocative; its performances expertly walk that fine line between emotive realism and sardonic commentary on themselves…”
“Its precision of tone–incisive and goofy at the same time…”
“Shiva Kiani, playing a character who is and is not Tennent, getting drunk in an airport and reading Foucault. Asal Takesh singing about strawberry jam. All three of them in an extended riff on the background of Medea.”
“In using an ensemble to both represent and comment on her own character…Tennent finds a compellingly theatrical way to engage the genre.”
Photo: Charlie Dennis
Pictured: Shiva Kiani
Broadway World: Iranian Girlfriend
Broadway World: “Built4Collapse and New Georges will Present the World Premiere of IRANIAN GIRLFRIEND by SB Tennent”
This new work will run September 18-October 4, 2025 at Mitu580 in Brooklyn.
By A.A. Cristi
Broadway World: BMI Lehman Engel Musical Theatre Workshop Premieres New Works In NYC
The BMI Lehman Engel Musical Theatre Workshop presented top works during two seatings at this year’s fall showcase on Thursday, October 24 at The Marjorie S. Deane Little Theater in New York City.
The showcase, hosted by the BMI’s Patrick Cook, premiered new music written by several of the Drama League, Drama Desk and Tony honored workshop’s esteemed composers and lyricists for shows that are in development…
The BMI Lehman Engel Musical Theatre Workshop Showcase
“The BMI Lehman Engel Musical Theatre Workshop Premiered Top Works in New York City”
October 29, 2024 Asher Muldoon and Asal Takesh perform “Till I Know You,” lyrics by Asher Muldoon and music by Joel Chapman, at the BMI Lehman Engel Musical Theatre Workshop Fall Showcase on Thursday, October 24, 2024 at the Marjorie S. Deane Little Theatre. (Photo by Brian Berson for BMI.)
South India Artist Intensive (Theater Mitu)
What is your personal mythology? This was the driving question of Theater Mitu’s South India Artist Intensive in June of 2024. A rigorous, three-week intensive invited international participants to train at the Visthar Center for Social Justice and Peace in Bangalore, India.
Primarily a physical training experience, we attended courses taught by masters of their form, such as in Kathakali, Kalaripayattu, Mohiniattam, Yakshagana, and Carnatic Singing. Throughout a series of cultural immersion opportunities visiting numerous temples, exploring the city of Bangalore, setting out on a pilgrimage to Bahubali, and conversing with artists in a masterclass setting, we were immersed in artistic methodologies that were aesthetically, philosophically, and geographically different from our own.
Additionally framed by Theater Mitu’s research and archive in arts practice, physical creation laboratory, and dramaturgy of disruption philosophy, we interrogated our individual contexts and belief systems as they intersect with the contemporary moment. I found this experience to be essential to my development as an independent artist and person, existing in the context of our greater communities.
